About
An interactive project by Jennifer Weigel exploring regional identity based upon local locale and including a traveling exhibition of i-phone photography as shot by Charles G. Wilbur.
Saturday, August 17, 2013
We're Coming to C.A.M.P.!
The Venus Envy showing was a preview for my upcoming solo kickoff event at C.A.M.P. on Cherokee Street on September 7 & 8.
Little Black Dress
solo exhibit with interactive project kickoff dress exchange & impromptu style event
C.A.M.P.
3026 Cherokee St.
St. Louis, MO
Sept. 7 & 8, 2013, 1 - 4 PM
More Info
This project will be traveling throughout the St. Louis region. I will note upcoming events and chronicle showings here on my blog in addition to posting show photos to my web page, so be sure to check back for updates and news.
I previewed the project with an accordian clutch book featuring 12 photographs (1 from each shoot) this weekend at Venus Envy.
Venus Envy
http://www.venusenvy.org/
2720 Cherokee
St. Louis, MO 63118
http://2720cherokee.com/
Aug. 16 & 17, 2013
I previewed the project with an accordian clutch book featuring 12 photographs (1 from each shoot) this weekend at Venus Envy.
Venus Envy
http://www.venusenvy.org/
2720 Cherokee
St. Louis, MO 63118
http://2720cherokee.com/
Aug. 16 & 17, 2013
Artist's Statement
"Where'd you go to (high) school?"
This uniquely St. Louis question begs consideration of stereotyping based upon specific locale. Some perceptions and misconceptions about individuals are based upon where they live, where they grew up, and where they went to school. These ideas are pervasive, and many people assess one another based upon these factors, both knowingly and unknowingly, sometimes even without ever having met in person.
Assumptions regarding regional identity can extend to physical mannerisms of speech, attitude and dress. They can act as commodities unto themselves, ideas of self that are "bought into" or refuted. They can be used to make judgments regarding less easily noticeable characteristics like character, intelligence, belief system & morality, economic standing, etc. But communities are much more diverse and vibrant than they appear to those outside. So when explored and applied in real life, some of these notions become little more than caricatures and cartoons, exaggerations that rarely depict those portrayed in an accurate manner.
I have accessorized according to regional preconceptions regarding dress and fashion based on my own personal interpretation of some local St. Louis area stereotypes. Regardless of accessories and other adornments, the "little black dress" seems as much at home in a classic, upscale setting as a hip, urban scene. The consistency of the "little black dress" also unifies the scenes to note that, regardless of where we live, grew up or went to school, we are all much more alike than we are different.
This uniquely St. Louis question begs consideration of stereotyping based upon specific locale. Some perceptions and misconceptions about individuals are based upon where they live, where they grew up, and where they went to school. These ideas are pervasive, and many people assess one another based upon these factors, both knowingly and unknowingly, sometimes even without ever having met in person.
Assumptions regarding regional identity can extend to physical mannerisms of speech, attitude and dress. They can act as commodities unto themselves, ideas of self that are "bought into" or refuted. They can be used to make judgments regarding less easily noticeable characteristics like character, intelligence, belief system & morality, economic standing, etc. But communities are much more diverse and vibrant than they appear to those outside. So when explored and applied in real life, some of these notions become little more than caricatures and cartoons, exaggerations that rarely depict those portrayed in an accurate manner.
I have accessorized according to regional preconceptions regarding dress and fashion based on my own personal interpretation of some local St. Louis area stereotypes. Regardless of accessories and other adornments, the "little black dress" seems as much at home in a classic, upscale setting as a hip, urban scene. The consistency of the "little black dress" also unifies the scenes to note that, regardless of where we live, grew up or went to school, we are all much more alike than we are different.
Little Black Dress Is Coming...
Little Black Dress is an evolving, interactive project and culmination of photographs documenting myself in a distinctive "little black dress" as taken throughout the St. Louis metro region during summer 2012. My husband, Charles Wilbur, shot these photographs using his i-phone under my guidance.
This media was chosen for its immediate accessibility, subverted discreetness, and resonance with viewers, many of whom themselves own i-phones and use them to photograph various scenes, people, and other subjects to record where they have been, who they were with, and what they were doing. Selected photographs are presented together in an exhibition that will travel between various St. Louis venues to further explore this accessibility and resonance.
This media was chosen for its immediate accessibility, subverted discreetness, and resonance with viewers, many of whom themselves own i-phones and use them to photograph various scenes, people, and other subjects to record where they have been, who they were with, and what they were doing. Selected photographs are presented together in an exhibition that will travel between various St. Louis venues to further explore this accessibility and resonance.
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